The racial and geographical origins of the ancient Egyptians have been a mystery since Champollion deciphered the hieroglyphs in 1822. The prevailing consensus is that the ancient Egyptian civilisation was home-grown on the Nile Valley. But new discoveries in the Egyptian Sahara will challenge this consensus, and show that the origins of the pharaohs hark back several thousands of years before the foundation of the dynastic period (c.3000 BC) and, furthermore, that the first 'Egyptians' were from a black Sub-Saharan race coming from the Tibesti mountains in northern Chad some 12,500 years ago. The oldest known 'astronomical' megaliths in the world,those of of Nabta Playa are examined in this presentation.Born in Egypt in 1948, Robert Bauval, bestselling author of The Orion Mystery (1994), Keeper of Genesis (1996) and three books with best-selling author Graham Hancock (The Message of the Sphinx, Talisman, and The Mars Mystery), presents evidence published in the book, Black Genesis, (co-authored with US physicist Thomas Brophy). http://www.robertbauval.co.ukFilmed at WCCSG Conference, August 2011, Wiltshire by Hugh Newman & Jonathan Adams.Copyright Megalithomania/Pentos TV 2011. All Rights Reserved.PAL & NTSC format. Box-Sets & Previous Years DVDs available athttp://www.megalithomania.co.ukProduced by Hugh Newman - http://www.hughnewman.co.ukDirected by Jonathan Adams - http://www.pentos.tv

What happens after life, and who gets to define it?

Chief Tola Adeniyi, former Editor-in-Chief of the Daily Times and Nigerian Tribune, steps into one of humanity’s most controversial conversations with striking certainty. He rejects the traditional doctrines of heaven and hellfire, arguing instead that such ideas were constructed as instruments of control, tools used by some to dominate the minds and destinies of others.

Speaking not as a detached observer but as a man shaped by decades of journalism, power, and reflection, Adeniyi describes himself as a spiritualist, one who believes in an essence that transcends physical death. For him, existence does not end; it transforms. The body may fade, but something deeper, more enduring, continues its journey.

This is a critique of religion, a personal philosophy forged through experience, conviction, and a refusal to accept inherited truths without question.

To order Tola Adeniyi’s autobiography, tap the link: https://udarabooks.com/home/47....0-chapters-of-destin

Or chat with Udara Books on WhatsApp: +2348099918449

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La première présentation dédicace venait de se faire chez l’éditeur Présence africaine, aussitôt le professeur a été ensuite invité à l’ambassade du Congo en France par l’ambassadeur Rodolphe Adada, pour une deuxième présentation de son ouvrage : Reconstruction du Nilo -Atlantique, le professeur Théophile Obenga a été agréablement surpris par les services de l’ambassade qui ont mis les bouchées doubles en organisant une agréable surprise surprise anniversaire de ses 90 ans.
Un moment plein d’émotions, qui a fait couler les larmes de l’Egyptologue, juste après son exposé sur le concentré comparatif linguistique du Chamito-Semitique à l’afro -Asiatique.
Le nonagénaire infatigable pédagogue, est déjà en route pour Genève pour une autre série de dédicaces .
#ThéophileObenga #cheikhantadiop #reconstructionniloatlantique #PrésenceAfricaine #egypteancienne #afroasiatique #ChamitoSémitique #cultureafricaine #90ansobenga #histoireafricaine rejoignez cette chaîne pour bénéficier d'avantages exclusifs :
https://www.youtube.com/channe....l/UClyc8f5pyYAETKdGv

Sign and share the petition:https://www.change.org/ghanacitizenshipƆbenfo Ọbádélé Kambon joins WSYP Sankɔfa Radio to discuss the urgent petition for fair, transparent, accessible, and affordable reparative citizenship for the Historic Diaspora in Ghana.In this wide-ranging interview, Ɔbenfo Ọbádélé Kambon explains how the current citizenship petition grew out of years of organizing, beginning with the 2016 citizenship process that helped 34 Historic Diasporans receive Ghanaian citizenship under President John Dramani Mahama. He recounts how the original process emerged from meetings at the Institute of African Studies, University of Ghana, and how there was no GHS 25,000 citizenship fee, no DNA requirement, and no sudden 48-hour compliance window at that time.The interview breaks down the major concerns raised in the petition, including:The prohibitive GHS 25,000 citizenship application feeThe need to permanently remove DNA as an exclusionary barrierUnclear and rushed application timelinesThe absence of constituency-mandated Historic Diaspora representationThe contradiction between calling the Historic Diaspora Ghana’s “17th Region” while treating reparative citizenship like ordinary immigrationThe need for Ghana to live up to its own Diaspora Engagement Policy and Pan-Afrikan commitmentsƆbenfo Ọbádélé Kambon also explains why this is not anti-Ghana. It is a call for Ghana to live up to the best of what it has already declared. The discussion emphasizes that a huge swath of petition signatories are Ghanaians born and raised in Ghana, showing that this is not a conflict between Ghanaians and the Historic Diaspora. It is Pan-Afrikan solidarity in practice.This conversation also connects the petition to the Decade of Our Repatriation, the Sankɔfa Journey, Abibitumi’s 20th anniversary, and the broader need to keep the door open for Black people seeking repair, repatriation, and restored relationship with Ghana and Abibiman.Sign and share the petition:https://www.change.org/ghanacitizenshipLearn more about Decade of Our Repatriation:https://decadeofourrepatriation.comJoin The Black Agenda GH on Black platforms, beyond the algorithm & blues:Abibitumi Public Group:https://www.abibitumi.com/grou....ps/the-black-agenda- The Black Agenda GH:https://youtube.com/@Blackagen....daghhttps://www.inst @blackagendaghRecorded and transcribed by Ɔbenfo Ọbádélé Kambon.The process must match the promise.#reparativecitizenship #ghanacitizenship #historicdiaspora #theblackagenda #decadeofourrepatriation #wsypsankofaradio #SankɔfaRadio #ghana #panafrikan #rightofreturn #abibifahodie #abibitumi

Si di tuori "Toun Rat & Konchri Rat" ya. Wa unu tingk?

Here's the classic tale, "Town Rat & Country Rat" Enjoy!

For access to the PDF of this story and others, check out our Free Resources folder on Google Drive -

https://drive.google.com/drive..../folders/1B3nUMSiAZb

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Why Kemet Matters: A Conversation with Professor James Small and Brother Anthony Browder
Hosted by the Brothers of Rho Psi Lambda Chapter of Alpha Phi Alpha Fraternity, Inc.

Chapter President Jason Gamble welcomes attendees to an engaging conversation with two distinguished elders, Professor James Small and Brother Anthony Browder. This 2.5 hour program centers around the importance and relevance of Kemetic (ancient Egyptian) history, culture, sacred science, philosophy, and heritage on our daily lives.
Both Browder and Small have guided thousands on educational tours to Africa and have contributed significantly through their writings and lectures on African heritage, reaching audiences across the United States and worldwide.
You are invited to enjoy a unique conversation as Professor Small and Brother Browder share insights about the individuals who have influenced their journeys and reflect on the future of the Pan African world.

For more details, you may reach out to Prof Small and Brother Browder at:
Professor Small
Email: amponsa3@gmail.com
CashApp: $DrJamesSmall1926

Anthony Browder
Email: browderfile@yahoo.com
CashApp: $karakh2
Web: www.ikg-info.com

Uhem Mesut, le renouvellement des naissances: http://uhem-mesut.com/

"Africa's Black Star" tells the political rise and fall of Dr Kwame Nkrumah, Ghana's and Africa's first independent president after colonial rule. The former President of Ghana Dr Kwame Nkrumah, was dubbed "the Man of the Millennium" by BBC World Service listeners.

The film covers Nkrumah's phenomenal rise to power, Africa's independence movement, his successes and losses, the internal and external enemies, the 1966 coup and the continuation of his legacy in Ghana and Africa.

For more info and other films visit: www.blackninefilms.com

https://www.abibitumi.com/apps
https://www.repatriatetoghana.com
https://www.decadeofourrepatriation.com

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On today’s episode of The Breakdown, we unpack Ghana’s growing relationship with France at a time when countries across West Africa are cutting ties and pushing back against French influence. Why is Ghana moving in the opposite direction? From President John Mahama’s recent visit to France and talks with Emmanuel Macron, to Ghana’s landmark security partnership with the European Union, we break down what’s really behind these decisions—and what they mean for the region.

Thanks so much for tuning in! Get Sandra's State of Africa 2026 Report: https://sandrababuboateng.com/soa2026/.

Connect with Capemay Properties: https://seltonskye.capemayprop....ertiesgh.com/invest-

Join the Ghana Homecoming Tour: https://forms.gle/aq6UyLReKxKEEvoe6

Learn more about the Invest in Africa Series: https://youtu.be/18A608GCrpk

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About Host
Sandra Babu-Boateng is a leading voice in shaping bold and solution-oriented conversations at the intersection of leadership, business, development, and culture. She is the co-founder of PanaGenius and the co-creator of the BlackStars Experience, USA. Sandra works with leaders and institutions—offering cutting-edge insights on trade, investment, diaspora engagement, policy reform, and nation branding. A true architect of change, Sandra is committed to building bridges between continents, sectors, and generations.

Experience Black excellence live! 🎉 Get your tickets 👉🏾 https://blackstarsexperience.com/

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Dizzy Gillespie and his Orchestra performing "Night in Tunisia", featuring Dizzy Gillespie - trumpet, Don Byas - tenor saxophone, Milt Jackson - vibraphone, Al Haig - piano, Bill DeArango - guitar, Ray Brown - bass, and J.C. Heard - drums . Recorded February 22, 1946 in New York.

For lead sheets complete with introductory verses, lyrics, and accurate chord changes, visit
https://www.jazzguitarcomprehensive.com/

The JGC History series features specifically curated playlists to help trace the lineage of some of the most influential jazz compositions of all time.

Some notes about the composition from the JGC Real Book,

Composer: Dizzy Gillespie

Year: 1942

Origin: Introduced by Sarah Vaughan in 1944 as "Interlude".

Style: A combination of straight and swing feels, typically played at brighter tempos.

Form: A-A-B-A (32 Bars) [8-8-8-8]
The A sections are played straight with the exception of the final 2 bars, while the B section is swung. This arrangement commonly used for the head only with the solo section entirely swung.

Intro: The bassline that moves from bII7 - Imi6 is usually used to begin the performance, and there is also a counter-melody that goes along with it.

Send-off: After the head in a 12 bar send-off is used to lead into the solos. This is then followed by a solo break which is commonly 4 bars long. It is typically only used the first time around, although it is sometimes used to introduce every new soloist. This section is played entirely swung.

Shout Chorus: After all the melodic soloists are finished a shout chorus is sometimes included. The shout played during the A sections while the B section is left open to the drummer. Sonny rollins offers a concise interpretation of this arrangement on his recording from A Night at the Village Vanguard.

Key: D minor

Harmony/Overview: The harmony of this composition is mainly functional. The main theme revolves around the constant arrival of bII7 - Imi, which is essentially V7alt - Imi (tri-tone substitution). The bridge is identical to that of "Alone Together", taking place in the relative Major and moving from II - V of II before a II - V - I.

Recordings: This song has been recorded over 400 times to date and is a widely popular standard. The first recording comes from Sarah Vaughan in 1944 and was originally entitled "Interlude", featuring lyrics written by Sarah Vaughan and Anita O'Day. One of the earliest instrumental recordings of Dizzy Gillespie performing the piece comes a 1945 session with Boyd Raeburn and his Orchestra. Dizzy would later record and perform this piece many times throughout his career, leaving several particularly legendary recordings behind.

JGC Top Picks:
Sonny Rollins, A Night at the Village Vanguard, 1957
McCoy Tyner, Today and Tomorrow, 1963
Dave Liebman, Besame Mucho and Other Latin Jazz Standards, 1993

Please consider supporting this channel through a donation,
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As well as my second channel for play-alongs and loops:
https://www.youtube.com/channe....l/UCPZJrGlk1zNvczjpb

DISCLAIMER: This video has been uploaded for educational purposes and is protected under fair-use. This channel will never be monetized and any ads are run solely on behalf of the rightful copyright owner.

#dizzygillespie #nightintunisia #jazzhistory

Last month I presented about what we can do to stay healthy in Kiswahili on Kiswahili Day. This was an assignment for my Kiswahili class. Here is the full presentation with sub-titles.
This not only a lesson in what we can do, but also a lesson in living the 5 Pillars of Transformation that I talked about in my previous video which got me to this point on my language learning journey. https://www.youtube.com/watch?v=Wlkto7JySP4

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Music: Kaleidoscopic Universe by Mausiki Scales. Check out his amazing music at https://www.mausikiscalescommonground.com.
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