First 10 minutes preview. Get the full lecture, recording, and/or slides here: This preview is posted from the Ɔbenfo Ọbádélé Kambon PowerPoints and Video Lectures archive on…

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Source: Decade of Our Repatriation YouTube channel.

Black August Friday Replay Series Abibitumi Conference & Abibifahodie Abibitumi Film Festival Launch 2026 Revisit the launch of two major Abibitumi initiatives advancing Black…

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Source: Decade of Our Repatriation YouTube channel.

Mama Lillian H. RepatriateToGhana.com Testimonial

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Kumina Medley (Walk in Deh) · Hope Vocals · Di Genius

Kumina Medley (Walk in Deh)

℗ Di Genius Production

Released on: 2026-06-16

Composer Lyricist: Stephen McGregor
Composer Lyricist: Hope Vocals
Musician: Hope Vocals
Musician: Di Genius
Studio Producer: Di Genius
Recording Engineer: Di Genius
Mixing Engineer: Di Genius
Mastering Engineer: Di Genius

Auto-generated by YouTube.

Film
The Vernon Johns Story [1994]

An adaptation of the life and times of Dr. Vernon Johns, ⁣the Pastor who preceded Dr. Martin Luther King Jr. as the head of the congregation at ⁣ Dexter Avenue Baptist Church in Montgomery, Alabama. ⁣ In Stride Toward Freedom, his memoir of the Montgomery bus boycott, King described Johns as “a brilliant preacher with a creative mind” and “a fearless man, [who] never allowed an injustice to come to his attention without speaking out against it” (King, 38). King found an example in Johns, a preacher who was able to use his religious position in the community to challenge his congregation to be less provincial.

⁣Link Up Podcast — Ep 12 | Ft Agya Kwadwo and Mama Kenya (Love, Land & Legacy)
Hosts: Niara Esi Ìjèawelē Ọmọlará Kwento & Bakari Kwadwo Ọbatayé Kwento

Akɔaba, Woezɔ, Oɔbaake (welcome) to another episode of Link Up Podcast, where we connect with Abibifoɔ (Black People) doing Black powerful work across Abibiman (the Black Land) and the diaspora.

In this episode, Agya Kwadwo comes back as Link Up’s first returning guest, this time with Mama Kenya — the “air under his wings” — to tell the fuller story behind the work, the balance, and the family foundation that has helped shape their path. They bring us through their 31 years journey of love, family, consciousness, and return.

We discuss Agya Kwadwo’s New Jersey upbringing, Mama Kenya’s roots in Newport News, Virginia, their Hampton University love story, their marriage on Hampton’s campus, military life, raising children, and the powerful role of Know Thyself Bookstore in Tacoma as a community space that deepened their consciousness. The conversation also moves through Agya Kwadwo’s first trip to Ghana, the spiritual connection to his great-grandmother, buying land for generations yet unborn, joining the xmnw Medjay Community, Mama Kenya preparing for her first Sankɔfa Journey, and the legacy they are building so their children and future generations have an ancestral option to return, grow, and live as whole Black people.

This is a conversation about raised consciousness becoming raised behavior, Black love as institution, and the work required to bring the whole family Black home.

Feel free to share your thoughts, and Link Up!

Buyer beware when moving to Ghana.

Wodaabe are nomads, migrating through much of the Sahel from northern Cameroon to Chad, Niger, and northeast Nigeria. The last nomads in the area, the Wodaabe number between 160,000 and 200,000. Other around them - the Hausa, Fulani, and Tuaeg - regard the Wodaabe as wild people. The Wodaabe refer to the Fulani with equal disdain as Wodaabe who lost their way.The seasons dictate Wodaabe migrations. From July to September, the short rainy season, sporadic storms cause floods. Most of September and October are hot and dry, November to February is cold. The hottest months, March to June, are also dry. During the short rainy season, Wodaabe lineage groups come together and hold their ceremonial dances, the Geerewol, Worso, and Yakke. The rest of the year the Wodaabe split up into small lineage groups.LivelihoodThe Wodaabe's main economic activity is cattle-herding. Cattle provide milk products that, along with cereal obtained through trading, are the basis of the diet. Beef is eaten only during ceremonies. The Wodaabe also keep goats and sheep for milk and meat and use camels and donkeys for transportation.During the dry season, milk production is lowest, and the need for cereal grains especially acute. At thee times, however, the cows are in their poorest condition and grain prices are highest. Thus, Wodaabe sell their cattle at cutrate prices. Moreover, droughts in the 1970s and early 1980s depleted the herds, so many Wodaabe have had to resort to earning wages in towns or herding cattle for their sedentary neighbors.While these activities allow Wodaabe llineage groups and individuals to survive the dry season, they don't rebuilt the herds. The depletion of the herds means the Wodaabe can't use their traditional way of aiding members of the tribe who lose their cattle - by loaning a cow for several years, with the borrower keeping the calves.Cultural SystemsThe Wodaabe divide themselves into 15 lineage groups. Membership is based on both blood-lines and traveling together in the dry season.Membership in a lineage groups determines who can marry whom. The only marriages that may occur between members of the same groups are Koobegal marriages arranged during the partners' childhood and formally recognized by the council of elders. Subsequent Teegal marriages are by choice of the partners.Lineage-group membership doesn't exclude people from Teegal marriages, but such marriages often cause friction. They usually involve "wife-stealing," often with the consent of the woman but never with that of her husband. Teegal marriage is also a source of friction between the new wife and previous ones. More wives means that fewer resources, such as milk from the husband's herd, are allocated to each. Eloping in a Teegal marriage that carries little stigma allows a Wodaabe woman considerable freedom, but she must leave her children with the ex-husband. The system guarantees the children's place in society while permitting spontaneity and flexibility to the parents.The Wodaabe believe in various bush spirits that live in trees and wells and are reputed to be saddened by how people have treated them. All spirits are intertwined in taboos pertaining largely to ecology. Some spirits are dangerous.The Wodaabe have acquired some knowledge of Islam and invoke the name of Allah in times of death or difficulty. However, what constitutes the notion of Allah for the Wodaabe is ambiguous.More central is a set of values concerning beauty, patience, and fortitude. Physical beauty - a long nose, round head, light skin, and white teeth - is one ideal quality, particularly for men but for women as well. Wodaabe sometimes wear makeup to enhance these attractions.Central cultural institutions are the dances - Geerewol, Worso, and Yakke - held during tribal gatherings in the rainy season. During tribal gatherings, flirtations occur and Teegal marriages are negotiated. In the dances, the men of a lineage engage in a beauty contest judged by three young women from an opposite lineage. These young women are picked as judges by the male tribal elders on the basis of their fortitude and patience. They appraise the men on appearance, charm, and dancing ability.SUGGESTED READINGSCarol Beckwith and Marion Offelin, Nomads of Niger, H.N. Abrams, 1983.Carol Beckwith, "Niger's Wodaabe: People of the Taboo," National Geographic, October 1983.Marguerite Dupire, "The Position of Women in a Pastoral Society" in Women of Tropical Africa, ed. by Denise Paulne, University of California Press, 1982.

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