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Racism rooted in slavery has not gone away in Brazil — and it took time until its existence was even acknowledged.
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Brazil imported more African slaves than any other country in the world: over 4 million people. Despite the ancestry forming a big part of the population, the development of a national Black identity was hindered after the country’s abolition of slavery in 1888.
Brazil didn’t have an apartheid system like South Africa’s or Jim Crow laws like the United States, and its mixed population was seen as a symbol of harmony between races. The idea of Brazil being a “racial democracy” affected how Brazilians saw the role of race in their own lives — until the myth was debunked.
“Several people were raised with certain privileges for being a light-skinned person, but still suffering some discrimination and not understanding exactly why is that so,” explains lawyer and diversity studies professor Thiago Amparo. “Only by understanding the history of Brazil, the [social] construction of whiteness and their own Black ancestry, they start to self-identify as Black.”
The rise in the number of Brazilians who self-identify as Black came as a result of the Black movement’s fight to denounce racism in the country and to promote positive references of Blackness. Many achievements have been made over the past decades, such as the implementation of affirmative action practices. However, challenges remain. Seventy-five percent of people killed by police in Brazil in 2019 were Black, and socio-economic characteristics of this population widely differ from those of white people.
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Moody Mood For Love (Fields-Moody-Jefferson) by King Pleasure, with Blossom Dearie and Teacho & Band (sometimes reissued only with the title “I’m In The Mood For Love”).
This vocalese treatment of James Moody’s 1949 improvisation to the 1935 standard “I’m In The Mood For Love,” with lyrics by Eddie Jefferson, spent four months on Billboard’s singles charts, peaking at #2 on the R&B rankings. For Moody's instrumental version, listen here: https://youtu.be/vi9Xv7XO8AY
King Pleasure’s real name of Clarence Beeks will be familiar to fans of the Eddie Murphy-Dan Aykroyd comedy film “Trading Places,” as it was the name that director John Landis gave to the villain character played by Paul Gleason, purportedly in tribute to the jazz artist.
THE 1952 HITS ARCHIVE - here in one place, a good-quality library of original-release-version best-sellers and songs that made an impact that were either released or enjoyed a major chunk of their popularity within the calendar year 1952 (some were recorded in 1951).
Ref: Cosby Show .
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The three* MusicProf channels are home to The HITS ARCHIVES, YouTube’s most comprehensive collection of U.S. ‘popular music’ recordings from 1925 thru 1975. Discover thousands of original hit versions, conveniently arranged in year-by-year playlists and sorted alphabetically in your choice of either song title or artist name. Simply visit this channel’s home page (here: https://www.youtube.com/@the78prof72 ), scroll down the rows of playlist categories, choose a favorite year, click on “view full playlist,” and then pick out the songs that you want to hear. Enjoy the music!
* The78Prof The45Prof AnotherProf
John Oliver discusses chocolate, cocoa farming, and, of course, some facts that will make Halloween a little weird.
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China's lust for silver helped establish their formidable economic position on the global stage. However, Western powers were reluctant to engage in silver trade and in their search for an alternative avenue they discovered something that would change history forever: Opium. As opium surged throughout the nation, it brought forth multifaceted societal issues, ultimately fueling the harrowing Opium Wars. These conflicts marked the onset of a devastating "Century of Humiliation" for China, leaving an indelible mark on its history and global standing
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On the 164th episode of The Bald Head-N-The Dread Podcast, Jr (The Bald Head) and Autarchii (The Dread) reason about the life changing teachings by 'master teacher' Dr. Amos Wilson.
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📚 List of Dr.Amon Wilson Books you should check out 📚
- The Developmental Psychology of the Black Child
- Black-on-Black Violence: The Psychodynamics of Black Self-Annihilation in Service of White Domination
- Understanding Black Adolescent Male Violence: Its Remediation and Prevention
- Awakening the Natural Genius of Black Children
- The Falsification of Afrikan Consciousness: Eurocentric History, Psychiatry and the Politics of White Supremacy
- 💎Blueprint for Black Power: A Moral, Political and Economic Imperative for the Twenty-First Century
- Afrikan-Centered Consciousness Versus the New World Order: Garveyism in the Age of Globalism
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This is the latest video by Simply Laced Music Group, recording artist, Jah-I-Witness Emcee for his new single "Souly In Love" from his current project entitled "E11EVEN". The video was directed by, cutting edge multimedia artist, Wes Felton for Art Hurts! and shot on location in Washington, DC.
The song is available for download at the following link:
http://jah-i-witness.bandcamp.....com/track/souly-in-l
You can keep up with Jah-I-WItness Emcee at the following links:
http://www.facebook.com/pages/....Jah-I-Witness-Emcee-
http://twitter.com/Jahiwitness
http://www.simplylaced.com