Top videos

Slave Codes: Crash Course Black American History #4
Slave Codes: Crash Course Black American History #4 ygrant 61 Views • 5 years ago

Slave codes were a method of protecting the investment of white enslavers in the Colonies by restricting the lives of enslaved people in almost every imaginable way. The codes restricted enslaved people’s ability to move around, or engage in commerce that could make them financially independent - they restricted the very opportunities that would allow them to live with even relative freedom. Today, we'll learn about how Colonies put laws in place to restrict the movement and freedoms of both enslaved people and free Black people alike.

Watch our videos and review your learning with the Crash Course App!
Download here for Apple Devices:
https://apple.co/3d4eyZo
Download here for Android Devices: https://bit.ly/2SrDulJ

Crash Course is on Patreon! You can support us directly by signing up at http://www.patreon.com/crashcourse

Check out Clint's book: https://bookshop.org/books/how....-the-word-is-passed-

Thanks to the following patrons for their generous monthly contributions that help keep Crash Course free for everyone forever:

Alexis B, Rene Duedam, Burt Humburg, Aziz, Nick, DAVID MORTON HUDSON, Perry Joyce, Scott Harrison, Mark & Susan Billian, Junrong Eric Zhu, Alan Bridgeman, Jennifer Smith, Matt Curls, Tim Kwist, Jonathan Zbikowski, Jennifer Killen, Sarah & Nathan Catchings, Brandon Westmoreland, team dorsey, Trevin Beattie, Eric Koslow, Indika Siriwardena, Khaled El Shalakany, Shawn Arnold, Siobhán, Ken Penttinen, Nathan Taylor, William McGraw, Laura Damon, Andrei Krishkevich, Sam Ferguson, Eric Prestemon, Jirat, Brian Thomas Gossett, Wai Jack Sin, Ian Dundore, Jason A Saslow, Justin, Jessica Wode, Mark, Caleb Weeks
__

VIDEO SOURCES

-Ira Berlin, Many Thousands Gone: The First Two Centuries of Slavery in North America (Cambridge: Harvard University Press, 1998).
-John Hope Franklin, From Slavery to Freedom: A History of Negro Americans (New York: Knopf, 1967).
-Claude M. Steele, Whistling Vivaldi: How Stereotypes Affect Us and What We Can Do (Reprint Edition ed. 2011).
-Black Codes and Slave Codes, Colonial, , Oxford African American Studies Center , http://oxfordaasc.com/view/10.....1093/acref/978019530
-Peter H. Wood, Black Majority: Negroes in Colonial South Carolina from 1670 through the Stono Rebellion (New York: W.W. Norton, 1974).
-Jennifer L. Morgan, Partus sequitur ventrem: Law, Race, and Reproduction in Colonial Slavery, 22 Small Axe: A Caribbean Journal of Criticism 1–17 (2018).

Want to find Crash Course elsewhere on the internet?
Facebook - http://www.facebook.com/YouTubeCrashCourse
Twitter - http://www.twitter.com/TheCrashCourse
Tumblr - http://thecrashcourse.tumblr.com
Support Crash Course on Patreon: http://patreon.com/crashcourse

CC Kids: http://www.youtube.com/crashcoursekids

#crashcourse #history #slavery

Ghana Repatriaton Success Story with Obadele Kambon
Ghana Repatriaton Success Story with Obadele Kambon Ọbádélé Kambon 82 Views • 6 years ago

Awesome informative session with my brother Obadele Kambon. He has successfully repatriated to Ghana and assists others to do the same. Check him out at:
www.obadelekambon.com
www.amakambon.com

If you're pumped for more Native Borne content, hit the like button!

Be sure to subscribe. 😊

You can support the Native Borne Family via the following links:

Go Fund Me page here: https://www.gofundme.com/52rej-the-journey-continues&rcid=r01-155250640963-1c9702a0e9df4bea&pc=ot_co_campmgmt_w

Paypal Donation Link: Paypal.me/nativeborne

Support us monthly on Patreon: www.patreon.com/nativeborne

Send money order donations (Money Orders payable to John and Safiyyah Christian)
2885 Sanford Ave #38830, Grandville Michigan 49418

Buy some Merchandise from the Native Borne Store: https://teespring.com/stores/native-borne

Visit Our Website http://www.nativeborne.com

---------------------------------------------------------------------------------------------

★Want to learn more about Love and Relationships? Check out our relationship book here! http://goo.gl/r4MDeo

★Get the 90 Day “Her Inner Journey” digital journal for women and girls here! https://goo.gl/8KBZzs

Get the amazing detox and weight loss tea (IASO TEA). We drink this tea religiously; especially during our travels. www.totallifechanges.com/johnchristian

Wanna hear some inspirational music from John? Support by downloading his music here… http://bit.ly/2tfRYLw


------------------------------------------------------------------------------------------------------

Connect with us outside of Da Tube:

T W I T T E R: @Native Borne

I N S T A G R A M: @NativeBorne/@OfficialJohnChristian/ @SafiyyahFilms

F A C E B O O K: http://goo.gl/4CK41E

B L O G: http://www.nativeborne.com

C O N T A C T: ✉ Have a question or comment? Shoot us an email at nativeborne@gmail.com

Fula, Fulani, Fulbe, Pël, Peul, Fulaw music mix by DJ Ras Sjamaan
Fula, Fulani, Fulbe, Pël, Peul, Fulaw music mix by DJ Ras Sjamaan Ambakisye-Okang Dukuzumurenyi 71 Views • 6 years ago

The Fula people or Fulani or Fulɓe (Fula: Fulɓe; French: Peul; Hausa: Fulani; Portuguese: Fula; Wolof: Pël; Bambara: Fulaw) numbering approximately 20 million people in total are one of the most widely dispersed and culturally diverse of the peoples of Africa.The Fulani are bound together by the common language of Fulfulde, as well as by some basic elements of Fulbe culture, such as the pulaaku, a code of conduct common to all Fulani groups.

The Fula have a rich musical culture and play a variety of traditional instruments including drums, hoddu (a plucked skin-covered lute similar to a banjo), and riti or riiti (a one-string bowed instrument similar to a violin), in addition to vocal music. The well-known Senegalese Fula musician Baaba Maal sings in Pulaar on his recordings. Zaghareet or ululation is a popular form of vocal music formed by rapidly moving the tongue sideways and making a sharp, high sound.

Fulani music is as varied as its people. The numerous sub-groups all maintain unique repertoires of music and dance. Songs and dances reflect traditional life and are specifically designed for each individual occasion. Music is played at any occasion: when herding cattle, working in the fields, preparing food, or at the temple. Music is extremely important to the village life cycle with field cultivation, harvest and winnowing of millet performed to the rhythm of the songs and drums.

Fulani herders have a special affinity for the flute and violin nianioru. The young Fulani shepherd like to whistle and sing softly as they wander the silent savannah with cattle and goats. The truly Fulani instruments are the one-string viola of the Fulani (nianioru), the flute, the two to five string lute hoddu or molo, and the buuba and bawdi set of drums. But they are also influenced by the other instruments of the region such as the beautiful West African harp, the kora, and the balafon. Entertainment is the role of certain casts. The performance of music is the realm of specialized casts. The Griots or Awlube recite the history of the people, places and events of the community.

A significant proportion of their number, (an estimated 13 million), are nomadic, making them the largest pastoral nomadic group in the world.[6] Spread over many countries, they are found mainly in West Africa and northern parts of Central Africa, but also in Sudan and Egypt.
African countries where they are present include Mauritania, Ghana, Senegal, Guinea, the Gambia, Mali, Nigeria, Sierra Leone, Benin, Burkina Faso, Guinea Bissau, Cameroon, Ivory Coast, Niger, Chad, Togo, Gabon, South Sudan the Central African Republic, Liberia, and as far East as the Red Sea in Sudan and Egypt. With the exception of Guinea, where the Fula make up an ethnic plurality (largest single ethnic group) or approximately 49%+ of the population,[10] and Senegal, Mali, Burkina Faso, Niger and Cameroon, Fulas are minorities in nearly all other countries they live in. Alongside, many also speak other languages of the countries they inhabit, making many Fulani bilingual or even trilingual in nature. Such languages include Hausa, Bambara, Wolof, and Arabic.

Major concentrations of Fulani people exist in the Fouta Djallon highlands of central Guinea and south into the northernmost reaches of Sierra Leone; the Futa Tooro savannah grasslands of Senegal and southern Mauritania; the Macina inland Niger river delta system around Central Mali; and especially in the regions around Mopti and the Nioro Du Sahel in the Kayes region; the Borgu settlements of Benin, Togo and West-Central Nigeria; the northern parts of Burkina Faso in the Sahel region's provinces of Seno, Wadalan, and Soum; and the areas occupied by the Sokoto Caliphate, which includes what is now Southern Niger and Northern Nigeria (such as Tahoua, Katsina, Sokoto, Kebbi, Zinder, Bauchi, Diffa, Yobe, Gombe, and further east, into the Benue river valley systems of North Eastern Nigeria and Northern Cameroon).

(source wikipedia)

Mulatu Astatke & His Ethiopian Quintet - Afro-Latin Soul
Mulatu Astatke & His Ethiopian Quintet - Afro-Latin Soul Ambakisye-Okang Dukuzumurenyi 41 Views • 5 years ago

01. I Faram Gami I Faram
02. Mascaram Setaba
03. Shagu
04. One For Buzayhew
05. Alone In The Crowd
06. Almaz
07. Mulatu’s Hideaway
08. Askum
09. A Kiss Before Dawn
10. Playboy Cha Cha
11. The Panther (Boogaloo)
12. Konjit (Pretty)
13. Soul Power
14. Lover’s Mambo
15. Love Mood For Two
16. Jijiger
17. Girl From Addis Ababa
18. Karayu
19. Raina

Arriving after Astatke’s life-changing years studying at Berklee College in Boston, the albums were the rest experiments in his pioneering sound, fusing Ethiopian cultural music with Afro Latin and jazz forms. “I have always felt a deep connection between Latin and African music,” he explains. “I travelled to Cuba and listened to their musicians; the tempo, rhythm and feeling was very similar to different African forms. In the mid-‘60s, I formed a band called The Ethiopian Quintet in New York comprising Ethiopian, Latin and Afro-American musicians – the band included trumpeter and pianist Rudy Houston who later played with Yambu and Felix Torres who played with La Sonora Poncena.”

Supported by Worthy Records’ Gil Snapper who offered to record the quintet, Astatke began to experiment during two separate sessions: “We created a different feel and different arrangements. On the rst recording, I played an adaptation of an ancient Ethiopian warrior song, ‘I Faram Gami I Faram’ – the lyrics were translated so that the singer could sing it in Spanish. Some compositions were important steps for me: ‘Mascaram Setaba’ (‘Summer Is Coming’) ‘Shagu’ and ‘Almaz’. With the second album, a personal favourite is ‘Girl From Addis Ababa’ which worked very nicely as a fusion of Ethiopian modes and R&B rhythms.”

Astatke would start to perfect his Ethio jazz sound on his later album for Worthy in 1972, ‘Mulatu Of Ethiopia’ but the two volumes of ‘Afro Latin Soul’ stand as important recordings documenting his early career. “It was a very interesting time to be in New York during the mid-‘60s. I was there at the same time as Hugh Masekela, Miriam Makeba and Fela Kuti and we each tried to play our part in putting Africa on the map of contemporary jazz.”

http://www.strut-records.com

​Ghana's $21.1 Billion Corruption Exposed: The Shocking Truth Behind Stolen State Assets #ghana
​Ghana's $21.1 Billion Corruption Exposed: The Shocking Truth Behind Stolen State Assets #ghana Kwabena Ofori Osei 52 Views • 2 years ago

President John Mahama has called Ghana a "crime scene" following shocking revelations about mismanagement of funds by the previous administration and $21.1B in stolen state assets. Here is the story behind it and how comedian Michael Blackson got entangled in it. As ORAL embarks on the hunt for the stolen assets, I will continue to bring you updates on this story! Correction: Starting at 1:24, the video features President Nana Akufo-Addo delivering a speech. We mistakenly referenced the year as 2028; it should be 2018.#ghananews #ghanapolitics #news #africa #africanews #blacknewsfollow Host Sandra Babu-Boateng:Instagram: https://www.instagram.com/Sand....raBabuBoateng/Facebo https://www.facebook.com/SandraBBoateng TikTok: https://www.tiktok.com/@sandrababuboatengVisit https://face2faceafrica.com/ for the latest news and stories on the global Black diaspora.Visit Ghana: https://homecoming.tours/Social Links:» Subscribe to PanaGenius TV: https://www.youtube.com/@PanaGeniusTV» Subscribe to PanaGenius TV on Instagram: https://www.instagram.com/panageniustv---Visit https://face2faceafrica.com/ for the latest news and stories on the global Black Diaspora.» Follow Face2Face Africa on instagram: https://www.instagram.com/face2faceafrica» Follow Face2Face Africa on Facebook: https://www.facebook.com/Face2FaceAfrica» Follow Face2Face Africa on X (Twitter): https://x.com/face2faceafrica

Showing 92 out of 497