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Slave codes were a method of protecting the investment of white enslavers in the Colonies by restricting the lives of enslaved people in almost every imaginable way. The codes restricted enslaved people’s ability to move around, or engage in commerce that could make them financially independent - they restricted the very opportunities that would allow them to live with even relative freedom. Today, we'll learn about how Colonies put laws in place to restrict the movement and freedoms of both enslaved people and free Black people alike.
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VIDEO SOURCES
-Ira Berlin, Many Thousands Gone: The First Two Centuries of Slavery in North America (Cambridge: Harvard University Press, 1998).
-John Hope Franklin, From Slavery to Freedom: A History of Negro Americans (New York: Knopf, 1967).
-Claude M. Steele, Whistling Vivaldi: How Stereotypes Affect Us and What We Can Do (Reprint Edition ed. 2011).
-Black Codes and Slave Codes, Colonial, , Oxford African American Studies Center , http://oxfordaasc.com/view/10.....1093/acref/978019530
-Peter H. Wood, Black Majority: Negroes in Colonial South Carolina from 1670 through the Stono Rebellion (New York: W.W. Norton, 1974).
-Jennifer L. Morgan, Partus sequitur ventrem: Law, Race, and Reproduction in Colonial Slavery, 22 Small Axe: A Caribbean Journal of Criticism 1–17 (2018).
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Awesome informative session with my brother Obadele Kambon. He has successfully repatriated to Ghana and assists others to do the same. Check him out at:
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www.amakambon.com
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FULL INTERVIEW | Ɔbenfo Ọbádélé Kambon joins the Asaase Breakfast Show on Asaase 99.5 to discuss Open D.O.O.R. Dialogues, the Decade of Our Repatriation (2026–2036), self-reparations through repatriation, the global Black brain gain, and practical pathways for jobs, entrepreneurship and investment in Ghana.
The Open D.O.O.R. Dialogues Media Launch takes place Friday, 17 July 2026 at 10:00 AM in the Great Hall, University of Ghana. The main dialogue follows on 30 October 2026.
Learn more and RSVP:
https://www.door.events
https://www.decadeofourrepatriation.com/opendoor
Originally aired 14 July 2026 on Asaase 99.5.
Jamaican Funny Animated Cartoons
In this Yardie Runnings episode: Elders discuss their geriatric challenges.
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01. I Faram Gami I Faram
02. Mascaram Setaba
03. Shagu
04. One For Buzayhew
05. Alone In The Crowd
06. Almaz
07. Mulatu’s Hideaway
08. Askum
09. A Kiss Before Dawn
10. Playboy Cha Cha
11. The Panther (Boogaloo)
12. Konjit (Pretty)
13. Soul Power
14. Lover’s Mambo
15. Love Mood For Two
16. Jijiger
17. Girl From Addis Ababa
18. Karayu
19. Raina
Arriving after Astatke’s life-changing years studying at Berklee College in Boston, the albums were the rest experiments in his pioneering sound, fusing Ethiopian cultural music with Afro Latin and jazz forms. “I have always felt a deep connection between Latin and African music,” he explains. “I travelled to Cuba and listened to their musicians; the tempo, rhythm and feeling was very similar to different African forms. In the mid-‘60s, I formed a band called The Ethiopian Quintet in New York comprising Ethiopian, Latin and Afro-American musicians – the band included trumpeter and pianist Rudy Houston who later played with Yambu and Felix Torres who played with La Sonora Poncena.”
Supported by Worthy Records’ Gil Snapper who offered to record the quintet, Astatke began to experiment during two separate sessions: “We created a different feel and different arrangements. On the rst recording, I played an adaptation of an ancient Ethiopian warrior song, ‘I Faram Gami I Faram’ – the lyrics were translated so that the singer could sing it in Spanish. Some compositions were important steps for me: ‘Mascaram Setaba’ (‘Summer Is Coming’) ‘Shagu’ and ‘Almaz’. With the second album, a personal favourite is ‘Girl From Addis Ababa’ which worked very nicely as a fusion of Ethiopian modes and R&B rhythms.”
Astatke would start to perfect his Ethio jazz sound on his later album for Worthy in 1972, ‘Mulatu Of Ethiopia’ but the two volumes of ‘Afro Latin Soul’ stand as important recordings documenting his early career. “It was a very interesting time to be in New York during the mid-‘60s. I was there at the same time as Hugh Masekela, Miriam Makeba and Fela Kuti and we each tried to play our part in putting Africa on the map of contemporary jazz.”
http://www.strut-records.com
Kambale Musavuli from the Center for Research on the Congo breaks down the escalating conflict in the Democratic Republic of Congo between the Rwandan backed- M23 rebel group and the Congolese army (FARDC). Musavuli explains how proxy forces including Rwanda, which he calls “the Israel of Africa,” is waging a devastating war over the DR Congo’s vast mineral wealth: “The US cannot compete in AI without having access to raw materials and Rwanda are the proxy mercenaries for the West’s interests.”
#breakthroughnews
Check out the latest Amapiano sensation from *Scotts Maphuma, Kabza De Small & DJ Maphorisa feat. Dladla* in their official music video for *Babekethiwe ( #feloletee #mellowandsleazy #masmusiq #vigrodeep #demthuda #busta929 #majorleaguedjz #dj #kelvinmomo #djjaivane #mrjazziq #mduakatrp #youngstunna #focalistic #boohle #ladydu #daliwonga #sirtrill #murumbapitch #amaroto #zuma #reecemadlisa #amifaku #mpurampura #masterkg #djstokie #msaki #nkosazanadaughter #mashudu #2faced #amapiano2024newsongs #tiktok #trending #music #amapianomix #amapianomix2024 #latestmusic #youtubemusic
President John Mahama has called Ghana a "crime scene" following shocking revelations about mismanagement of funds by the previous administration and $21.1B in stolen state assets. Here is the story behind it and how comedian Michael Blackson got entangled in it. As ORAL embarks on the hunt for the stolen assets, I will continue to bring you updates on this story! Correction: Starting at 1:24, the video features President Nana Akufo-Addo delivering a speech. We mistakenly referenced the year as 2028; it should be 2018.#ghananews #ghanapolitics #news #africa #africanews #blacknewsfollow Host Sandra Babu-Boateng:Instagram: https://www.instagram.com/Sand....raBabuBoateng/Facebo https://www.facebook.com/SandraBBoateng TikTok: https://www.tiktok.com/@sandrababuboatengVisit https://face2faceafrica.com/ for the latest news and stories on the global Black diaspora.Visit Ghana: https://homecoming.tours/Social Links:» Subscribe to PanaGenius TV: https://www.youtube.com/@PanaGeniusTV» Subscribe to PanaGenius TV on Instagram: https://www.instagram.com/panageniustv---Visit https://face2faceafrica.com/ for the latest news and stories on the global Black Diaspora.» Follow Face2Face Africa on instagram: https://www.instagram.com/face2faceafrica» Follow Face2Face Africa on Facebook: https://www.facebook.com/Face2FaceAfrica» Follow Face2Face Africa on X (Twitter): https://x.com/face2faceafrica
2 LECTURES Steve cokely : Brotha Steve Cokely - The Black Boule http://www.youtube.com/watch?v=i3akC9P_rYQ Steve Cokely: White Finance of Black Leadership http://www.youtube.com/watch?v=nOJdbyNqG6Y
Internal enemiez..
Hi Guys!!!!
We're back again Chaley. Todays video takes us to Aburi in the Eastern region, where palm wine is tapped.
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Sex for Grades: School is supposed to be a place where children learn and grow in safety. But millions of girls in Africa are subjected to teachers demanding sex as a condition of giving them their exam grades. Kiki King went to Mozambique to investigate the disturbing phenomenon of sex for grades.
Subscribe to our channel for more Unreported World episodes https://www.youtube.com/unreportedworld.
This episode first aired on 02/12/2016.