Memorial for Baba Henry Ervin van Kirksey
At DuBois Center
5 August 2016

Singapore and Japan two client states of White Hegemony and Racism are two nations with no natural resources, no huge labour market and yet loan money and are creditors to the ENEMIEs of Black people.

⁣⁣Anthony T. Browder
The African Origins of Deep Spiritual Thought

Black people do not have the power to sanction White, Asia or Arab leaders. We do not have the military power, We dont have control over our own markets...Black people who talk about this mythological Black Capitalism are people who want Black people to remain poor so they can make money off Black helpelessness.

⁣Chapter 14

⁣Abode santann yi firi tete: obi nte ase a onim n'ahyase, na obi ntena ase nkosi n'awie, Gye Nyame.
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This Great Panorama of creation dates back to time immemorial, no one lives who saw its beginning, no one will live to see its end, Except Nyame.

In this video Dr. Stewart Tyson Smith reveals the deep Afrikan ancestral roots of Ancient Kemet and its extensive trade with neighboring Afrikan civilizations.

⁣A CRIME WHOSE INHUMANITY IS WITHOUT PARALLEL IN THE ANNALS OF HUMAN HISTORY

Azu a lov-op dis Nana Kurmudgeon ting ya
(Dis wan de ina Link-up episode 7)

⁣At Itaoua Solar Panel and Street Light Factory in Burkina Faso!

In the 1820s, Jean Pierre Boyer, an African from Haiti, freed Black people from the clutches of America Imperalism, Racism and Terrism against its African inhabitants, they sent a ship to free Africans in the United Snakkkes of European Murders.

⁣Adjetey Anang Excited about the AbibitumiAbibifahodiefilmfestival

Currulao is the main traditional genre of Abibifo⁣ɔ music out of the Southern Pacific Coast of 'colombia' and Northern Pacific Coast of 'ecuador'. This group is specifically from Timbiqui, Cauca, a Pacific Coastal town in the biogeographic Choco region. Timbiqui is also the name of the river where the community of Timbiqui is located. This song is about singing to the river asking for a safe passage, to let them go up the river, don't drown us (no me vayas a hogar), don't wet us (no me vayas a mojar), let me go up (dejame subi'). This is a continuation of evidence of our Kmtyu worldview regardless of location and colonial language. Reverence and respect for nature, the oceans, the rivers, and the source of life, water. This can be seen as a libation song for traveling up the Timbiqui river safely. The main instrument is the marimba, made from the palm trees in the Choco rainforest, and said to be a reconstructed descendant of the balafon made by Abibifo⁣ɔ in a new context. We carried Abibiman with us!


original video info:
Provided to YouTube by ONErpmRio Timbiqui · Canalón de TimbiquíDejame Subi℗ Canalon de TimbiquiReleased on: 2004-02-06Auto-generated by YouTube.

In this video I show you how to create an account on Abibitumi.com. If you don't have one check this out.